The plot of TDKR is about the hardships of being a superhero and the consequences of a large cover-up. We see this through the portrayal of Bruce Wayne/Batman who has become physically impaired thanks to his continuous physical harm he has been put through under the Batman persona. He has also been mentally damaged, becoming reclusive and refusing to partake in social interactions. We can see the consequences of a large cover-up through the Harvey Dent conspiracy which has been revealed to the public causing mass hysteria among the Gotham populace. But another plot theme (which is in the title) is the concept of rising, seen through the revival of Batman, Bruce Wayne climbing out of the supposed inescapable prison, and the rise of the working-class against the upper class when the Gotham prisoners are released.
Characters
Even though the Christopher Nolan Batman franchise does a more realistic and gritty approach to the Batman mythos, it still has the two most essential archetypes that make a super hero fiction; a hero and a villain. Our hero, of course, is the titular Batman/Dark Knight who is played by Christian Bale. The hero is usually our moral compass when watching these movies but Christopher Nolan tries to do something different by questioning Batman's morality such as posing the question of "If he doesn't kill, is he actually doing more harm letting villains live?" and sometimes questioning his sanity as a person through the tearful departure of his Butler, Alfred, who departs because he feels that he failed to keep him from harm. Our main villain is Bane who is strong, intelligent and merciless who will do anything to achieve his goal. This makes him a good villain because he matches Batman physical skills and even brutally beats him in combat and breaks his spine which incapacitates him for most of the movie.
Mise en Scene
Since not much is known about Bane's past in TDKR in the beginning of the movie, they need to introduce the character through his appearance and they do this through his costume. Bane's mask is supposed to reflect his physical impairment and shows he has weaknesses but its appearance reflects his beastly and wild behavior by looking like a beasts mouth with sharp teeth. His coat reflects his military training because it commands authority and is quite intimidating but its rough handling and making reflects his survivor aspect of his personality and his class among his fellow man. They use a similar technique with Catwoman who has a sleek body suit to show she likes to show off but is also stealthy with her approach to certain situations. Her goggles/ear-piece shows her technical prowess but also pays homage to the original character.
Camera
The heavy use of medium shots of people when they giving speeches to a large crowd reflects their state of power in the current situation. This is used in the opening where we get a shot of Commissioner Gordon giving a speech about Harvey Dent, which lies about his involvement in police murders, this shows his current authority but also foreshadows a downfall since we know that the new Dent act is a conspiracy against crime. We also get another speech later on from Bane about people's freedom but ironically he has just trapped the city with no means of escape. This shows that there has been a shift in power where the lower-class have rised above the upper-class and actually reflects the first speech made in the opening because its two people in power lying to the Gotham populace.
Editing
Super-imposing is heavily used in TDKR to tell character back-stories and to recap on events in the earlier films. This is used in the opening where we see Commissioner Gordon making a speech about Harvey Dent and how great he is but then he pauses for a second and we get a flashback to the previous movie where we see Dent threatening his son by gunpoint and Batman tackling him. We also see it used in the reveal of Talia al ghul where we see her as a child escaping from the prison and how Bane came to wearing the mask. Narration is used to describe the images presented but the clips themselves are mostly silent to show that its just her describing the events back to the characters.
Sound
Music is important in superhero movies since most of the pieces are used for characters and are used to introduce and reveal characters when they enter and exit a scene. Batman has his own theme which is played when he appears in scenes or when hes doing something heroic. The theme itself has a main melody which is big, epic but also action-packed and tense to show both his presence and his handling of situations. Bane also has his own theme where it consists of booming drums to show his raw power and ruthlessness but also has violins to keep up tension and to show his intelligence. Catwoman also has her own theme where hers a lot more quiet and unsuspecting to show her stealthiness but also has a classical style which shows her sophistication ans wealth.
The plot of Candy Man is based upon a short story by Clive Barker about a local urban legend serial killer terrorizing the city of Chicago. The killer kills his victims by gutting them when they mention his name five times in front of a mirror. This urban legend premise is relatable to modern audiences since local legends are all over the world and are usually centered around a dare which drives most of the suspense since you know when he is coming but your not sure how he is coming. It also combines the slasher genre by having a variety of gory and creative kills executed by the Candy Man. This actually parallels another well-known urban legend 'Bloody Mary' which uses a similar concept, which makes it feel even more familiar to the mainstream audience.
Characters
Our main character, Annie Tarrant, is great example of horror movie protagonist. First off, she is blonde, white women which plays a homage to the classic horror movie, Psycho since the character in that film was also a blonde white women. She is confident, intelligent and unshaken but too curious for her own good and because she is a woman she appears more vunerable since she is quite appealing in appearance and he have this innate instinct to want to protect her. The Candy man is a quite intimidating villian since he never shows himself in bright light and when he does hes breifly tere or in the dark making him more mysterious and scary for the viewer.
Mise en Scene The costume of the Candy Man is designed in a specific way to look both intimidating and grotesque. The coat is designed to be long and flowing and covers his entire body giving him a tall and slender appearance. This makes him look very powerful and big but also makes him look strangely fragile which is creepy and strangely appropriate. His hook hand is hastily nailed on and incredibly grotesque, in contrast to his almost normal looking appearance is quite freaky for the viewer and also simultaeously gives him his signature weapon.
Camera In a movie about a killer that appears by chanting in a mirror we are obviuosly going to get a lot of mirror shots. Because of the reflection, the camera is always positioned at the side of the mirror rather then directly in front of it. This fact can actually provide some suspenseful scenes where viewpoints are slightly obscured and even provides an early jumpscare in the beginning of the movie where the lights turn of and he suddenly appears behind the woman in the story. There is also a scene where we reverse track from a mirror which generates a feeling of suspence since we hold on the image for a long time.
Sound With the concept of the urban legend and slasher guiding its style, there must be certain situation which summons or generates the killer, in this case uttering his name five times summons him. Having a repeated phrase in your moivie drives the viewers suspense because if you can scare your audience with the just the mere chanting of a word, your already got your hands on a winning horror gimmick that will stick with viewers for a long time.
For
the past few days I have been studying the genre of horror/thriller and I have
been mostly watching to films that are quite famous in this drama, the crime
thriller’s Red Dragon and Se7en. Se7en was released in 1995 to high critical
acclaim from critics for its portrayal of Morgan Freeman’s and Brad Pitt’s
characters, a tired old cop and a headstrong rookie. It was also noted for its
portrayal of a serial murder mystery since another highly praised film called
“Manhunter”. Manhunter was reimagined into a prequel to the critically
acclaimed “The Silence of the Lambs” and was called by its original book title
“Red Dragon” which was the other film that I watched for my study. While
watching these films I began to see some similarities but let me first evaluate
each film on its own.
Plot
Se7en’s
plot consists of a ageing cop and recently appointed cop tracking down a serial
killer who basis’s his murders on the seven deadly sins like Greed, Gluttony
and Sloth. This movie immerses the viewer in its plot by using the sum of its
parts to tell a graphic but a believable story for example in crime scenes like
the gluttony victim scene, it uses both subjective point-of-view and handheld
camera (simulate a documentary feel), a heavily detailed set with close
attention to the mise en scene (to immerse us in this heavily detailed world) and
even some horror techniques to disturb and immerse the audience (the minimal
lighting and the reveal of the man’s face is a staple of the horror genre). It
is greater because of the sum of its parts.
Red Dragon's plot consist's of a retired CIA agent, Will Graham, being called back to to do some investigation work for a recent set of killings because of his "unique" talents. To catch the alleged "Tooth Fairy" killer he needs to visit on old friend,Hannibal Lecter, who is a incredibly intelligent psychiatric doctor but there is one problem, he is also a psychopathic cannibal and Will was the one who detained him. The plot focuses on these three main characters, Will Graham, Hannibal Lecter, and "The Tooth Fairy" and their interactions between each other and other people. This is shown through the use of camera work (constant use of extreme close ups on characters faces to show reactions and emotions) and the switch of focus between these three main characters and their effects on the story plot wise.
Camera Angles/Editing
Se7en’s
use of camera work was innovative at the time for it revolutionary camerawork
and inspired the use of the film in the late 1990’s because of the inspired,
clever trick of adding a chemical to the raw footage that makes the contrast of
light and shadow more obvious to the viewer. This was effective since it made
the dark scenes even darker and light scenes even lighter, symbolizing a black
and white view of crime and punishment and creating a unique and original style
to the film.
Red Dragon's use of camera angles are more creative then most action thrillers since it not only focuses on the police's investigation work on the serial killer but the serial killer as well to establish him as living human mind that has been twisted and disturbed by his past instead of just a generic disturbing villain and we are actually helped in the investigation by another serial killer. The killer has his past presented as visuals (an example being a picture of a elderly woman spanking a child in his scrapbook, representing his abusive grandmother) and a heavy use of mirrors in shots represent reflection and illusion.
Sound
A lot of the atmosphere in Se7en depends heavily on it's use of sound and music to achieve the level of immersion that is prominent in this film. Take for example in this scene where we see Morgan Freeman's character and the character of Gwen who are talking about her pregnancy. If you listen closely in the background, you don't just hear other people talking, you hear restaurant music, a passing train and even some cars which are very faint but are still there. This level and thought of detail for sound in this one scene is remarkable and shows the commitment the sound technicians have to create a immersive sound-scape.
The soundtrack of Red Dragon is compiled together to reflect the minds and emotions of our killers and characters so that we can get into the mindset of our characters and get the mood of the scene or moment. An example of this is in the opening of the movie where we just witnessed the take down of Hannibal by Will Graham who are both seriously injured. The music changes (from near silence to a full orchestra) to reflect the sudden shocking turn of pace and the great amount of speed that the events have unfolded in. This tense orchestra played through the credits to show how scandalous this event was and the impact it had on Will and then starts to quiet down when we learned he has retired.
Mise en Scene
If there is one thing that Se7en does so brilliantly at then in other movies that are like it is the impeccable amount of detail that goes into every single set piece of the movie. If you just look at this one scene of the Sloth victim you can see so much attention that went into the mise en scene from the photographs, the air fresheners hanging off the wall and even the victim itself had so much detail that it is disturbingly realistic in its presentation of this twisted Neo-Noir film.
Red Dragon uses it mise en scene to imply things more then show it directly since this technique can be considered to be scarier then directly show any grievous or gruesome body imagery since the viewer can imagine more horrible things then the director can. This is shown by use of blood splatter on the walls and on the bed in crime scenes to imply the violence that took place in these crime scenes and broken mirrors to tell us the psychological profile of our character in subtle ways but not too subtle that the audience can't tell if its symbolism or just traditional scares.
Characters
There are many memorable actors and performances in this movie, including the serial killer, John Doe, who is chilling in his performance but the actor who steals the show is Morgan Freeman who portrays a hardened, intelligent cop who has seen it all. Taking a example from the diner scene that I used as a sound example, we can see the tragic side of his character who decided to have his wife abort their child because of the appalling nature of this city and Freeman plays so we see that he has conflicting thoughts on his decision but also a persistence to move on and in the end feels that he did the right thing and yet he tells it with just his expressions showing the level of excellence of the performance that Morgan gives.
I could talk about all of the performances in this movie since all of them are pretty memorable and well-played but I think I should focus on the character of Francis Dolarhyde or as he is known by his treatment of murder victims "The Tooth Fairy" since he is the most memorable in this movie and is basically the focus of. Francis kills because of his domination by a alternate personality which he calls "The Great Red Dragon" and each victim he "changes" he becomes more of a "Dragon". Ralph Fiennes shows Francis' two personalities by being shy and repressed in one scene when he is with his love interest, and when interacts with a reporter who insulted him he is more confident but unforgiving in nature.
Atmosphere and Mood
The atmosphere and mood of Se7en is a dark, brooding and corrupt world where the streets are ruled by misery and death. We get this sense mostly through the movies lighting which if you look at is really dark and most of the lighter scenes are seen at the end where we get our revelation. Rain is also featured a lot in this movie to show the mood of constant misery and that a storm is coming which is actually build up to its dramatic climax.
The atmosphere and mood of Red Dragon is a calm, peaceful but repressed society upturned by the psychotic nature of its inhabitants, Hannibal and Francis being the two who upturn this socially repressed society. This shown by the use of sophisticated execution by both the actors and the director to show a stable world being flipped on its head. For example, Hannibal is a serial killer who eats off of the bodies of his victims but he is portrayed as being a sophisticated and intelligent man that is into fine cooking (how he eats his victims). The viewer doesn't believe that a man of such high etiquette and class can be a brutal killer and a cannibal which is how the movie portrays a society which has dark undertones.
Similarities and Differences
One of the most obvious similarities between Se7en and Red Dragon is its opening intro which consists of imposing on the serial killer's journals with credits over the top of the imagery. Se7en was the first to use this kind of opening in its movie which was creative at the time and then Red Dragon did something very similiar with its opening. The way that is used in Se7en is to show how gritty and dark this movie is going to be with disturbing, gruesome imagery and even some foreshadowing to some later events in the film. In Red Dragon it is used to tell the viewers of what happened after the opening, like the arrest of Hannibal and the retirement. and also some symbolism of our main killer's past to foreshadow later events.
A major difference between these two movies is their atmosphere and tone since Se7en is gritty, realistic and dark while Red Dragon is more sophisticated, slowly paced and well-lit. Take these two scenes for example of murder victims killed in each movie. In Se7en our pacing is drawn out to give a illusion of real-time, the lighting is mostly dark with streaks of light emerging, there is so much detail in every corner of this scene that it immerses the viewer, the body is shown in all of its grimness and the colours are dark grey and depressing with no contrast. This scene from Red Dragon is the complete opposite, there is normal daylight and it is a outside location, it is very short scene, the style is simple yet effective, the body is obscured by the flames and is unrecognisible and the colours of the red and orange of the fire contrasts with the mainly blue background. In many ways the scene from Red Dragon is more disturbing because of its subtlity and spontanity of the moment.
Conclusion
In conclusion, I believe that both movies succeed in what they intended to do but my personal preference between these two movies is Red Dragon. The reason I enjoy Red Dragon more then Se7en because of my preferred sense of horror, which simple and subtle. Just like I was describing the difference between these films in the paragraph above you get the sense that Se7en is trying too hard to show everything at once, like the Sloth scene where is so much going on that it actually gets dizzying. There is nothing wrong in showing off but it doesn't leave much to the imagination and literally shows all the horrible imagery and detailed environments. I believe the most horrific imagery a director can conjure is to ignite the viewers imagination and let him make the connections since what you don't see scares you the most. It uses classic tricks like blood splatters and quick imagery to disturb the viewer and then shows our characters reactions to horrific events to let our imagination create what we think we saw. This is why I like Red Dragon more because of its olf-fashoined but effective scare tactics.
So here to finish off, Hannibals most famous quote...
They both have opening credits that feature superimposing shots of scrapbooks from the featured killer. This is quite obvious because during the opening credits we get layered shots of the killer's handwritten notes in both movies that introduce the credits and story. In Se7en we shown religious symbolism that foreshadows events that take place in the movie and show the connections to "The Divine Comedy", plus some shots of industrial machinery. This is also used in Red Dragon to show events that passed inbetween the opening and the scenes after the credits and to reference the Tooth Fairy's past with disturbing images. This type of opening is promiently featured in crime thrillers but it was Se7en who was innovater of this type.
A lot of the first-half of each movie is spent in crime scenes of victims of the central serial killer. This might be a bit of a no-brainer but crime dramas involve investigation in the environments of the crime. The difference with these two films they are shot with camera tropes that are featured in horror movies like tilted angles and obscurity of the viewer's sight of a scene (e.g. darkness, people, placind cameras in awkward positions... etc) and the Mise en Scene is a lot more gruesome in detail like blood, disfigured bodies and symbolistic imagery in attempt to disturb the viewer. Scenes like this are featured in the Leed's House from Red Dragon and the Attorney's Office from Se7en, all scenes of murders.
Both movies use subjective point-of-view shots when characters are in either uncomfortable or disturbing situations. Shots like these put the viewers into the shoes of the characters so that we are immersed in story and more likely to be disturbed. This is used in Red Dragon where Will is walking down a corridor and we walk past the different cells to get to Hannibal's who was his mentor and friend that tried to kill him, which is quite uncomfortable. Se7en uses this when we see most of the murder scenes to establish a uneasy mood and some very disturbing imagery like the gluttony victim who is found with his head sinking into his last meal.
Differences
Bodies aren't really featured in Red Dragon and are only featured as brief imposed imagery or photographs within the movie, while Se7en doesn't shy away from showing everything exploitive to it's viewers. Red Dragon likes to not show any bodies in most of it's scenes and instead leaves it to the imagination of the viewer to pitch together what happened since usually a person's imagination can create scarier imagery then a director can because it has no limits, only showing glimpses of murders and using mise en scene of the murder scenes to give the viewer an idea of what happened. Se7en holds no boundaries because it is trying to depict a world of corruption and gritty crime and finds it better to show what is going on in this world rather then attempt to hide it.
The musical score in Red Dragon and Se7en are drastically different in tone and style so that they can depict the atmosphere of each movie accurately. Red Dragon depicts quiet city/suburban life turned upside down by murder while Se7en depicts a cruel, corrupted city that is being taught a lesson on sin so their tone of music should vastly different. Red Dragon uses a orchaestra of instruments to reflect the intelligent sophisticated side of society but the suspenseful score and heavy use of strings alludes to something darker and more sinister, just like our main characters; Will, Hannibal and The Tooth Fairy. The score in Se7en starts out dark with industrial instruments and deep gritty bass and becomes more disturbed during the run of the movie depicting our character's as people who are slowly losing their grip on their sanity, becoming more suspenseful in the murder scenes.
Each movie has there ownunique colour scheme within their mise en scene to depict the themes that they want to explore. Red Dragon deals with the upsetting of society and the exploration of the psyche of people who do awful things, Se7en deals with themes of action and consequence and the people who feel that they can change that, the serial killer and the police. Red Dragon has mostly pale colours that are mostly yellows, and blues to give an eerie sense of calm and then sudden intrusion of brighter and darker colours that reveal what is beneath that sense of calm. Se7en overall has very dark colours like blacks and greys to reflect the dark, corrupt world that it lives in and more brighter colours that the end to represent a revelation of what society has driven the people of this city to do.
Here are two scenes that stand out for me:
What are your interpretations of these two iconic scenes?
How to follow the 180 degree rule in film by setting a action line for the camera to follow and creating a establishing shot to set where the action line will be featured.
How to keep consistency between each shot in film by following each action that we execute in time with over clips and rehearsing specific actions for us to follow.
How to select film clips in editing by matching them up to follow the consistency of the overall film and by evaluating each clip on its own to see if it succeeds in its intention.
How to choose appropriate music for film by analysing the atmosphere and mood of a scene and then selecting from a wide selection of tracks to find the right one.
How to communicate while filming in a group by talking about how each shot should be done in terms of action and discussing between each shot about how we are going to set up the camera.
What I can take from this...
I can take the knowledge of my new film-making skills of following the 180 degree rule and then apply them to my future film-work so that it remains consistent and not confusing.
I can take my knowledge of keeping consistency between each in my film-work and then apply them to my future film-work so that the film is of a better quality and more realistic.
I can take my knowledge of selecting different clips for editing and my analysing techniques for clips and then apply them to my future film-work so that I can get the best footage for film and and use it to my advantage in story-telling.
I can take my knowledge of my new music selecting skills of finding a appropriate track for a scene and then apply it to my future editing of film so that I can set a scene in both the visual aspect and the acoustic aspect.
I can take my knowledge of communication skills in film-making as a group and then apply it to my future group film-work so that we can make a better production as a group then if we we worked individually.
This preliminary task was a showcase of our current handling of film-work and editing and to show what we learn't from the 180 degree rule. This was also a chance to show some consistency between each individual shot to give the movie flow and a feel of passing time. This is a short movie of a student who lost their card and asks his friend to borrow his card to use for lunchtime. This a simple concept to do and is great to show off our understanding of consistent film-making and the 180 degree rule.
The 180 degree rule is a basic rule of cinema that a shot between two people must remain consistently in a 180 degree area (hence the name) so that the audience doesn't get confused by shifting angles. If you need to move out of the 180 degree area you need to create a establishing shot to show the new position of the camera to avoid any confusion of the audience and to show consistency between each shot.
